When the powerful and presumably criminal El Jefe (Emilio Fernández) finds out who impregnated his teenage daughter, he puts a million dollar bounty on the man’s head—literally. Months later, a couple of the tie-wearing goons end up in a rundown bar in Mexico City, asking questions about Garcia. It’s there they meet the American piano player, Bennie (Warren Oats), who plays stupid. He doesn’t know where Garcia is, but he’s got a lead: his prostitute girlfriend, Elita (Isela Vega).
“Everybody’s got a right to be a sucker once.”
It’s the classic opener: the gunslinger stumbles upon a damsel in distress in the middle of the desert. This time the gunslinger is Clint Eastwood and the damsel is Shirley MacLaine. The two of them play Hogan and Sara. After Hogan guns down the group of would-be rapists, Sara puts her clothes back on.
Hogan’s thrown for a loop when he sees the habit and the rosary. He doesn’t feel right leaving a nun all alone in the desert, so he agrees to take her with him, even after he discovers Sara’s in deep shit with the French for providing money and support to Mexican revolutionaries.
Two Mules for Sister Sara is a comedy that sometimes forgets it’s also a western until it overcompensates in its climax, which is jarringly and uncharacteristically violent. The rest of the film is pretty funny, sure, but it must have been disappointing to see it during its original run, only a year after the release of Butch Cassidy and the Sundance Kid, which is really funny and a lot more evenly cooked.
The running gag: although she’s a nun, Sara says and does some unlikely things. After Hogan helps her climb into a tree, he sincerely apologizes for touching her bottom. “It’s no sin that you pushed me up the tree with your hands on my ass,” she says. Hogan’s double-take is priceless.
But that’s pretty much all it is: funny. There’s some amusing dialog, good writing, and a touching moment or two, but it’s little more than a solid entertainment that feels like it’s playing it a little too safe. It comes from a time when westerns were like Marvel movies and the studios were just as reluctant to adjust the formula as they are today. That so many people seem to consider Two Mules for Sister Sara to be some kind of classic sets the bar for classics just a little too low. It’s a good movie and I’ll probably even watch it again someday, but I personally wouldn’t say it’s great.
And that’s just fine.
Wow. It’s been a long time since I’ve seen a movie modified for 4:3. Especially one with such incompetent panning and scanning. Unfortunately, VHS is probably the only way you can see Sonny Boy, a weird little film that apparently never made the leap to disc or digital media. Pan and scan this terrible is like trying to watch a movie through a telescope, but someone else is holding it to your eye. It’s a pain in the ass, but it’s worth watching it this way until someone tracks down the rights and gives the film a proper release.
Sonny Boy opens on a secluded motel where a young couple are being spied on by a good-for-nothing desert thug named Weasel (Brad Dourif), who looks pretty much how you’d expect a guy named Weasel to look. Weasel murders the couple and takes off in their convertible, which he tries to sell to the local crime boss, Slue (Paul Smith, who played Bluto in Popeye). Slue is a grown-up bully who lives in a junkyard of stolen merchandise with his transvestite wife, Pearl (David Carradine, who also provides the theme song). As Slue and Weasel are negotiating the price of the stolen convertible, Pearl notices there’s a baby boy in the backseat and she immediately adopts him as her own.
So what happens when a baby is raised by a trio of monsters? First, they give him “the gift of silence” by cutting out his tongue. Then, in a montage of Sonny Boy’s formative years, we see how Slue and Weasel physically torture Sonny, against Pearl’s wishes, in order to toughen him up for the real world. These games of abuse culminate in Sonny Boy’s rite of adulthood, in which Slue ties the boy to a stake and Weasel lights a ring of fire around him. You’ll see Pearl off to the side, desperately trying to put the fire out with a tiny bucket of water. She’s shaking her head as if to say, “Oh, boys will be boys.”
I know all this sounds horrific, but it’s kind of sweet—perhaps bitterly so—in the surreal context of the film. The film makes no excuses for the way its characters behave, but it’s clear this is the only way these people know how to raise a kid, a kid they clearly love and care about. You begin to wonder if the reason they lack a moral compass is the same reason Sonny Boy lacks one: perhaps they were raised like animals, too. Anyway, one day Sonny sees himself in the mirror for the first time, face covered with the blood of Slue’s enemy, which inspires the boy-in-a-man’s-body to begin the long, difficult process of deprogramming himself…
Or something like that.
There’s a lot that’s wrong with the film (such as an overly explanatory voiceover, a cheat of an ending, and a hamfisted message about tolerance, acceptance, yatta, yatta, yatta), but it’s clear the movie was a labor of love. There are plenty of creative shots, surprisingly great casting, and an unwillingness to make the film something it isn’t in order to satisfy more commercial audiences. According to the grapevine, the subject matter of Sonny Boy was so disturbing, theaters pulled it from showings within days of its release. I don’t buy that because the film simply isn’t that disturbing. I think the real reason it was pulled is couldn’t have been a crowd-pleaser in 1989, which seems to be the year moviegoers began demanding more of a film’s budget than the content itself.
Mere minutes into Sonny Boy, I was reminded of a type of film I haven’t thought about in a long time. Growing up in the late eighties and nineties, there was no shortage of small, “quiet” films on HBO and Cinemax, films I’d never heard of before they simply came on one day and unexpectedly hooked me. I honestly don’t know how to explain these types of movies, and I’m sure the TV programmers only acquired them for filler content, but they were kind of like the younger, unknown siblings to “slice of life” films like Something Wild. In other words, they were smaller versions of mainstream movies when movies had more in common with novels than video games.
Ultimately, that’s what’s most satisfying about Sonny Boy: its unexpected restraint. I probably would have liked it just as much if “the joke” was that you get to see the star of Kung Fu in a dress, but amazingly, it doesn’t go there. Sure, there are people who get thoroughly blown up by artillery shells, but if you’re looking for a raunchy exploitation film to show a drunk and rowdy crowd, Sonny Boy isn’t the one. That doesn’t mean it’s not worth a watch on a hungover Sunday morning, though.
No, Django doesn’t merely have clichés, but employs them to leverage the action forward. Director Sergio Corbucci is well aware his audience already knows everything we need to know about saloons, hookers, and bandits, so there’s no time wasted on introductions. Besides, the character himself is a consolidation of only the finest elements that gave the clichés staying power in the first place.
The Visitor opens on a plane of unreality in which a force of good (John Huston) comes face to face with a force of evil. When the evil flings off its sacramental robe, it reveals it has taken the form of a little girl. Cut to a different plane of existence: Franco Nero, in Christ-like garb, tells a group of bald disciples the mystical backstory concerning these forces. I’ll be damned if my eyes didn’t glaze over at this long, dull explanation, which is probably why I had so much trouble following the rest of the movie.
A lot of these tips aren’t necessarily hidden, just kind of unclear at the get-go, so I’m aiming this at players who just got the game. I’m 16 hours into the game, so I’ll probably be adding tips as I play a little more. Also, a lot of this stuff is subject to change with future patches and updates.
First of all, you can run the game at 60fps, but it totally breaks the game physics. According to Reddit user Dynasty2201: “You run faster and lockpicking becomes impossible.” Look, 60fps would be nice (and its exclusion is fucking ridiculous, to be honest), but is it really worth breaking the game?
To auto-walk or auto-run, press X on the keyboard.
Most people are aware Caps Lock toggles between run and walk, but it also toggles between a slow sneak and a super slow sneak. I was having some trouble sneaking by a group of mutants until I realized this.
Radiation matters more than ever now as it lowers your maximum HP. This means Rad-X and Rad-Away are a lot more important than in previous games. Short of paying a doctor 40 caps, Rad-Away is, as far as I know, the only way to remove radiation sickness.
Early on, you’ll probably need concrete for Sanctuary quests. I wasted several minutes looking for it until I realized you can “scrap” various things in the settlement (including cars, collapsed houses, fences, and mailboxes) by pressing V on the keyboard to go into Workshop Mode. You will see the option at the bottom of the Workshop menu, which is activated by pressing R while facing (highlighting) whatever you wish to scrap.
Throwing grenades is way more confusing than it should be for PC players. I understand console players have limited buttons, but assigning it to the same key that performs a melee strike is probably the dumbest thing about Fallout 4’s controls. You can reassign the key all you want, but you can’t split the functions up between two keys. This means whenever you try to pistol whip someone, it’s all to easy to toss a molotov instead, setting your enemy as well as yourself on fire. I have a feeling this will be fixed in a future update, but not soon. Anyway, if you want to melee, don’t hold the key down. If you want to throw a grenade, make sure you’ve equipped the grenade and hold the key down until you hear a click.
The Sort option at the bottom of your Pip-Boy’s Inventory menu is your new best friend. To the right of “Sort” you’ll see parentheses which shows what you’re currently sorting by, such as value, weight, and damage.
When bartering, you can highlight your own inventory or the trader’s inventory, then press right or left on the arrow keys to sort by weapons, ammo, junk, etc. Speaking of junk…
In most games you can safely sell or ignore junk. In Fallout 4 it’s a lot more important for construction. This makes deciding what to take and what to drop a little more overwhelming, but having a companion carry some of the load makes it a little easier.