Can The Wolverine make up for Wolverine: Origins?

A group of guards wave a metal detector over Logan’s body. His adamantium bones, of course, set the wand off.

“Hip replacement,” Logan explains.

That scene is about twenty minutes in. By then we’ve already seen the atomic bombing of Nagasaki, the cameo of a former X-Man, a bar fight, and a sword that can slice through beer bottles. The violence is so graphic you’ll wonder how they got away with a PG-13 rating. So there’s a lot happening in The Wolverine, but it works. With a darker tone and a more tasteful approach to casting, this Logan pic quickly atones for the sins of Origins.

Logan’s no longer with the X-Men. He’s living in the Canadian wilderness while perfecting his brooding face. Shortly after avenging the death of a grizzly (straight from the pages of Wolverine #1), Logan receives an invite to Japan. There, a man he saved in Nagasaki is on his death bed. The tech CEO offers Logan the gift of mortality: “You can get married, have a family, lead a normal life.” Logan’s tempted, but politely turns down the offer. The old man dies, yakuza attack, and ninjas spring from the shadows. Somewhere along the way Logan loses his healing abilities. He becomes vulnerable at that point, but his adamantium bones still shield his vitals from bullets.

Convoluted? Kinda. Awesome? Very. We’ve seen many action sequences on top of a moving train before, but this one sets the new standard. Logan’s so determined and unflinchingly violent it seems more like the a Schwarzenegger flick than a modern action movie. It’s been far too long since we had a ‘roided action hero fist-fighting his way through an army of nameless bad guys.

I do think the film’s villain, Viper, is perhaps the weakest link, but there are enough bad guys to make up for it. Sure, the plot teeters on the edge of preposterous, but it’s a comic book movie—isn’t that why we’re all here? I wasn’t exactly expecting the sophistication of Shakespeare when I purchased my ticket.

Slight spoiler ahead…

About the mid-credit sequence: we now have a solid link between this film and the much-anticipated Days of Future Past. I have to admit I was pretty skeptical about it when it was announced (Professor X is no longer dead and Magneto has reclaimed the powers he was robbed of in The Last Stand… or perhaps they’re ignoring that film entirely), but seeing Patrick Stewart and Ian McKellen return to the characters was exciting. No, it doesn’t explain their return, but a bigger question remains: Why the fuck would Wolverine even attempt to walk through airport security?